
Iaido, the Japanese art of drawing the sword, is considered
an art of
the aristocracy because, in feudal Japan, swords could only be carried
by the upper class. The art was created in response to
specific conditions: when samurai were attacked while their
swords were still sheathed. The key concept in Iaido is that
the draw and first cut must occur simultaneously and quickly.
Many unique cutting motions were created to make this
possible. Practice is very precise and demands great
concentration.
Iaido is a highly traditional art. Its
forms are hundreds of
years old, having been passed down from instructor to student since
their creation. It is also traditional in the sense that it
has no modern applications. Since there is no practical
purpose for sword fighting methods in modern times, there is no reason
to "update" the forms, or to make the art more effective for
self-defense.
The physical practice of Iaido includes
drawing, parrying and cutting
motions, as well as various methods for returning the swords to the
scabbard. The majority of practice time is spent studying
pre-arranged forms, called kata. The motions are designed as
defenses against specific attacks by an opponent, and each form teaches
several principles of correct sword handling.

In addition to being a historical art, Iaido is, like other
martial
arts, a method of spiritual development. It is one of the
best arts for conveying the concepts taught in zen. Many
practice Iaido as a second martial art, to compliment the more physical
practice styles of karate, judo or jujutsu. At ITAMA, members
study Eishin-Ryu Iaido, the second oldest extant martial arts style in
Japan. Iaido ranks granted by ITAMA can be certified by
Kokusai Budoin, IMAF.
Muso Jikiden Eishin-Ryu Iaido Mokuroku
For more information, you may send an email to Dan
Holland Sensei at
dholland@itama.org
.